2/4/2013
Once upon a time, I found a young boy named Alexander.
He said he was ready to admit that he was never really good
at anything, yet it was only then when he’d called himself out as just another
case of a failure of a life, a student and a son, that he’d found out that he
was worth anything at all. To him at this time, anyway, but eventually, to some
others.
He started out with a bunch of illustration, impressions of
Death Note characters, along with some occasional corny “shooting stars”
posters. “Gun Out” was the first. I
reckon he would probably look down in embarrassment for me ever mentioning
this, but he was definitely putting his work out there. He was often praised
for his clean line-art. Criticized for foreshortening and anatomy issues.
But more than anything, though, was this peculiar feeling
that this Shirow Miwa fan from the Philippine Ragnaboards would make something
more out of his sore life drawing Japanese comic book characters. You might say
that I “predicted” that he was going anywhere. My conviction was too strong to
be just a tentative attitude towards another’s work, though (hold on, I’ve
gotten a little too hungry). This person did not deserve that tentative
attitude from me or for anyone. He deserved to have someone believe that
certainly, this boy will go places.
Boy did he. But he had to earn those places.
[1] Maybe someday I’ll write better. Someday I’ll read this
again and say: y’know, someone who "feeds you McDonald's" in stark afternoon daylight and
picks you up from a rut to “give you a black eye” to wake you up and lecture
you about deservingness and belief and worthiness deserves more than this
muck-job.
2 comments:
Update 121616
You write better now: as a copywriter in a local design studio that caters to international clients across different business industries -- helping, in your own way, to make the world a better place. Give yourself a pat on the back, White Wooden B[u]oy.
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